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How do you write satire in the age of bleach injections? It isn’t easy, but it’s necessary.

October 17, 2020

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By Michael Bennett via Washington Post Books | Disclosure

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Leigh Bardugo Is Wary of Imposing Limits on Young Readers

“I think they actually have a pretty good barometer of what they can handle,” says the fantasy novelist, whose new book is “Hell Bent,” “and will happily set a book aside when it starts to go places they don’t want to go.” Unknown Author | NYTimes Books | Disclosure

Richard Russo Misses the Purity of Childhood Reading

“When you become a writer, you inevitably lose your innocence as a reader,” says the Pulitzer-winning novelist, whose new book is “Somebody’s Fool.” “It’s like being given the underground tour of Disney World. Some of the magic dissipates.” Unknown Author | NYTimes Books | Disclosure

Patricia Engel’s Enduring Friendships Always Include Books

“It touches me when people ask me to read a book because it’s special to them,” says the fiction writer, whose new book is the story collection “The Faraway World.” “It’s like being granted permission to peek inside their soul.” Unknown Author | NYTimes Books | Disclosure

Booksellers Move to the Front Lines of the Fight Against Books Bans in Texas

With a book-rating law set to take effect in September, a group of booksellers, along with publishers and authors, filed suit to argue that it is unconstitutional. Alexandra Alter and Elizabeth A. Harris | NYTimes Books | Disclosure

A Provocative Satirist Left a Pervasive Legacy, Influencing African Writing

Binyavanga Wainaina attacked insulting clichés in the essay, “How to Write About Africa,” in 2005. In a posthumous collection of the same name, his range as a writer is on display. BY ANDERSON TEPPER | NYTimes Books | Disclosure

How do you write satire in the age of bleach injections? It isn’t easy, but it’s necessary.

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