Jennifer L. Holm’s “Outside” and Rebecca Stead’s “The Experiment” both feature well-meaning grown-ups who do everything to protect their kids — and fail.
She wrote two popular memoirs: the first about the joys of married life, the second about her husband serving her divorce papers on their 40th anniversary.
The title of Daniel Swift’s book “The Dream Factory,” about the creative and capitalist conditions of Elizabethan drama, tellingly evokes the commercial aspirations of old Hollywood.
“Journalism is essential, but it can’t get at certain levels of experience — so I wrote a fable,” he says of “The Emergency,” his first novel in more than 25 years.
Mattilda Bernstein Sycamore’s new novel, “Terry Dactyl,” follows a young trans woman figuring out who she is throughout the AIDS crisis and Covid pandemic.
The actor had to read so many books (153) she bowed out of most family activities. Still, she said, collaborating to pick a winner was worth the sacrifice.
Meeting traveling nurses during the pandemic led to “Sacrament,” her 10th novel. “Our memories will be indelible,” she says, “like my father’s stories of the Dust Bowl.”
In tracing the journeys of two frenemies with art-world aspirations, Anika Jade Levy’s “Flat Earth” distills the angst and aimlessness of a generation.
“Injustice,” by the veteran journalists Carol Leonnig and Aaron C. Davis, follows federal prosecutors at work under the presidencies of Donald Trump and Joe Biden.