“People sometimes ask why I want to read horror at all, let alone write it,” says the horror novelist, whose new book is “Lone Women.” “So much writing glances off the hardest and worst experiences, but horror confronts the worst that happens. ... A good horror novel doesn’t lie to you.”
He was a historian of India and Tibet, but best known for his biography of Naipaul, which one reviewer described as “a portrait of the artist as a monster.”
In Cecile Pin’s debut novel, “Wandering Souls,” the tale of three young Vietnamese migrants transforms into a larger meditation about how and why refugee stories are told.
Ann Napolitano toiled in obscurity for years. Novels went unpublished; agents turned her down. She found recognition with “Dear Edward.” Then came the call: “Hello Beautiful” was the 100th pick for what is arguably the most influential book club in the world.
First Jenny Odell examined our obsession with productivity. Now she’s turned to our relationship with time — and what happens when you remove the grid.
“They demand nothing of the reader,” says the host of NPR’s “All Things Considered,” whose new book is “The Best Strangers in the World: Stories From a Life Spent Listening.” “And every page has the promise of a happy ending.”